On Tuesday, June 1, the Women Film Pioneers Project announced that its original plan to publish the first volume of a set of sourcebooks about women in film history has been changed to what will be a digital digest online through the Center for Digital Research & Scholarship at Columbia University. This should be good news to those interested in women’s accomplishments in the film industry since its inception, or just interested in film history in general. The first effort in this new digital collection will focus on the United States and Latin America, with other areas to follow such as the Middle East, Africa, Europe, Asia, etc.
The sourcebook is a collection of entries and essays on individual women who played some role in film, mainly as writers, directors and producers. This is a collection about pioneers in the true sense of the word, women who blazed trails for those who came after them, dedicating themselves to cinema, a new and innovative artform the effects and widespread influence of which they did not yet fully observe, but I suspect may have predicted. We are still amazed at how people are affected by film, 115 years (more or less) after the invention of the cinema. While the WFP Project’s website is no longer up and running, the listserv is, for anyone interested in this topic.
During a self-directed research project, which is ongoing, that I began about five years ago on the two earliest known (to date) African American women filmmakers, I was invited to submit an article for inclusion in the sourcebook. I accepted, then expanded my research (given a list of filmmakers by the editor to focus upon) to include three other African American women filmmakers, all who worked during the silent era or at the very beginnings of sound.
My research began, though, after being inspired by a brief presentation I did in a film studies class. My presentation focused on Lois Weber, a widely recognized American female filmmaker in early cinema who made films about social issues and moral dilemmas, even on topics still incendiary today, such as abortion. Out of that grew my interest in little known (or forgotten) women filmmakers, and I stumbled upon Dr. Yvonne Welbon’s site Sisters In Cinema which is a shining resource in the midst of such a glaring lack of information on African American women filmmakers. I latched onto some names and began my research utilizing various resources, the library at Indiana University South Bend, online bookstores, countless Google searches, the New York University Digital Gallery, and exchanging emails with archivists, professors, librarians, film preservation groups, early film scholars…
Since I began the research, one filmmaker has stood out in my mind as the most interesting in terms of her background (not much is known), her location at the time (mid-America), her one film she produced and starred in (if not also directed!) and her life outside film as an activist within the African American community. For those reasons, I have concentrated the bulk of my efforts since writing the essay in continuing to research Maria P. Williams from Kansas City, Missouri, who is to date the earliest known African American woman film producer. Her one known film of which only one frame is known to be extant (located at the UCLA Library), is Flames of Wrath which she made in 1923, though some sources say 1922. The film focuses on a theft and a trial, and synopses show that it was during the trial scenes that Maria P. Williams herself appeared in an acting role. She and her husband, Jesse, owned a production company in Kansas City for a time.
I’m looking forward to seeing my essay included in this massive and profoundly important collection about women film pioneers. It should be online later this year, and this first “set” is edited by Jane Gaines (renowned early cinema & feminist film scholar), Radha Vatsal and Monica Dall’asta.
The Women Film Pioneers Project was created at Duke University by Dr. Jane Gaines (now located at Columbia in New York City), and the project also has special groups which meet at the annual conference of the Society for Cinema and Media Studies.
For those who’d like to know more about African American filmmakers or Black (or “Race”) films, the following list is a good way to start, though what is listed is only the tip of the iceberg when it comes to available resources:
Blacks in Black and White: A Sourcebook on Black Films
by Henry T. Sampson
(probably best accessed directly through a university library or through inter-library loan)
Fire and Desire: Mixed-Race Movies in the Silent Era
by Jane Gaines
Sisters In Cinema: A Resource Guide for and About African American Women Feature Filmmakers
(an important site run by Dr. Yvonne Welbon, a filmmaker, professor and widely known scholar on African American women filmmakers, and someone who gave me helpful suggestions on how to further my research)
A Cinema Apart
(an informational site and store run by the late Larry Richards, a lovely man who offered me invaluable help with my research. Fortunately, his family still runs the site/store.)
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