SUNDANCE: days 1-3


Below is a list of all the women filmmakers whose films screened during the first three days of Sundance (from January 19-21).  I am including feature films, documentaries and shorts which were directed, written or filmed by women.  Credits will also include co-writers, co-directors and cinematographers (sole or one of a group).

To read about one filmmaker’s experience at Sundance this year, take a look at director Kat Candler’s “The Perks of Being a Wallflower” blog where she’s writing about taking her film Hellion to the festival.


DAY 1 (Opening night)

Director Lauren Greenfield’s The Queen of Versailles (U.S. documentary category) was one of four films in the festival’s opening night lineup. (In fact, Greenfield was the only female director of the bunch.) Word is that the film was a big hit, and reports were quickly released that Magnolia Pictures had picked up Greenfield’s film for North American distribution.  Ann Thompson of “Thompson on Hollywood” writes about it here.  Watch a Sundance Channel interview with Greenfield done during this year’s festival here.

Writer Sarah Koskoff’s Hello I Must Be Going (filmed by Julie Kirkwood) also joined the opening night lineup.



Writer-director Ava DuVernay’s eagerly awaited narrative feature Middle of Nowhere screens at Sundance.  DuVernay describes the film as an “…unconventional love story that explores a woman who’s lost her husband to incarceration and how she maintains her marriage from behind bars and what that’s like for her, and that struggle.” (Watch the Middle of Nowhere premiere party video and hear more about the film by clicking here.)

Among the films by women screened at Sundance on day two were the following titles.  Check out the trailers for the films by clicking on the highlighted links:

The Ambassador (co-writer Maja Jul Larsen)

Beasts of the Southern Wild (co-writer Lucy Alibar)

Big Boy Gone Bananas (co-cinematographer Kiki Allgeier)

Celeste and Jesse Forever (co-writer Rashida Jones)

Declaration of War (director & co-writer Valerie Donzelli)

The D Word (co-writer Jen Bradwell)

Father’s Chair (co-writer Elena Soarez)

Escape Fire (co-director Susan Froemke)

Indie Game (co-director, co-writer, one of cinematographers, editors and producers Lisanne Pajot)

The Invisible War (co-cinematographer Kirsten Johnson)

Madrid, 1987 (cinematographer Leonor Rodriguez)

Middle of Nowhere (writer-director Ava DuVernay)

Payback (director Jennifer Baichwal)

Putin’s Kiss (writer-director Lise Birk Pedersen)

That’s What She Said (director Carrie Preston, writer Kellie Overbey)

Tim and Eric’s Billion Dollar Movie (cinematographer Rachel Morrison)

West of Memphis (writer-director Amy Berg)



Black Rock (director Katie Aselton, cinematographer Hillary Spera)

(Update: Aselton’s Black Rock was just picked up by LD Distribution according to a Jan. 22 report from indieWIRE.)

Detropia (directors Heidi Ewing & Rachel Grady)

For Ellen (writer-director So Yong Kim, cinematographer Reed Morano)

ME at the ZOO (co-director & producer Valerie Veatch)

Wuthering Heights (director Andrea Arnold)